Shroud of Turin

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DESIGN IN THE SHROUD OF TURIN (PDF)

This book is an introduction to a discussion about the Shroud of Turin. The author acknowledges the ongoing debate about the Shroud, including the carbon dating tests from 1988 that suggested a medieval origin. However, the author suggests there's evidence to the contrary and hints at a new theory based on design that can be developed. This design argument, similar to arguments found in natural theology, is novel to the author's knowledge. This theory centers on the idea that the Shroud is connected to a man, crucified, and that it’s not an art object. Importantly, the author will not be assuming the man to be Jesus.

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Urfa, Turkey: A proposal for an archaeological survey of the town that (arguably) was the Shroud’s home for nearly a thousand years

by Ian Wilson (PDF)

This paper by Ian Wilson proposes an archaeological survey of Urfa, Turkey (formerly Edessa), as a potential location for the Turin Shroud's whereabouts for approximately 900 years before its emergence in Lirey, France in the 1350s.

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Information Content on the Shroud of Turin (PDF)
This study digs into how the image on the Shroud of Turin actually carries detailed information about the crucified man it wrapped. It looks at the ways information might have traveled from the body to the cloth and settles on radiation as the most plausible method.
• The image is a high-resolution imprint of a crucified man, unique among burial cloths.
• Scientific tests suggest the image wasn't made by an artist or forger.
• Radiation from the body's interior is proposed as the way the image formed on the Shroud.
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Was the Shroud of Turin Invisibly Rewoven with Foreign
Material at the Radiocarbon Site to Match the Rest of the Cloth? (PDF)
This document, authored by Mark Antonacci, explores the "Invisible Repair or Reweave Hypothesis" concerning the Shroud of Turin. This hypothesis suggests that a 16th-century repair or reweave was made at the radiocarbon dating site on the Shroud, which is undetectable to the naked eye. The document highlights Raymond Rogers' research from 2001-2005, based on the examination of thread segments from the Raes sample and radiocarbon material, which supports the hypothesis.
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Is the Image on the Shroud of Turin
“The Sign of Jonah” Jesus Promised? (PDF)
This book by Larry Stalley explores the connection between the image on the Shroud of Turin and the "sign of Jonah" referenced by Jesus in the Gospels. The author argues that the Shroud, bearing a miraculous image, serves as a divine witness, a gracious gift for believers and a supreme apologetic for the Church.
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Is the Shroud of Turin Foreshadowed In the Transfiguration Story?
(Matthew 17.1-9) (PDF)
This PDF examines the Transfiguration story (Matthew 17:1-9) to argue that it foreshadows the Shroud of Turin. The author proposes that the story highlights Jesus' divine nature and suggests the Shroud's image was a powerful early Church witness. The study aims to analyze the Transfiguration's significance, potentially revealing hidden references to the Shroud.

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Is the Shroud of Turin the first recorded photograph? ( PDF)
This article by Nicholas Peter Legh Allen explores the characteristics of the Shroud of Turin, a linen cloth believed by some to be the burial cloth of Jesus Christ. Allen argues that the image on the Shroud was produced by a technique that was only invented in the late 18th century, namely negative photography.ĥ
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Is the Shroud of Turin the Actual Burial Cloth of Jesus?
This paper by Larry Stalley explores the authenticity of the Shroud of Turin, a cloth bearing the faint image of a crucified man. It begins by noting that many people, particularly Protestants, are unfamiliar with the Shroud, and those who are often dismiss it as a fake due to a 1988 radiocarbon dating experiment that placed the cloth in the medieval period. However, the paper argues that forensic science and historical research over the past forty years have provided compelling evidence to the contrary. The paper aims to present this evidence and explain why the Shroud is most likely the actual burial cloth of Jesus, offering visual and physical evidence of life after death. The paper highlights the controversy surrounding the Shroud's image and how it was formed, as well as whether the Shroud wrapped Jesus’s body.
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A New Radiocarbon Hypothesis John P. Jackson, Ph.D.
Turin Shroud Center of Colorado May 5, 2008 ( PDF)
This document presents a new hypothesis to explain the discrepancy between the historical/archaeological evidence suggesting the Shroud of Turin is older and the radiocarbon dating of 1988 which dated it to a medieval period.
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3-D PROCESSING TO EVIDENCE CHARACTERISTICS REPRESENTED IN MANOPPELLO VEIL (PDF)
This paper explores the characteristics of the Face on the Manoppello Veil using 3-D image processing. The authors aim to compare the Veil's image with that of the Turin Shroud and highlight differences between the front and reverse sides of the Veil. 

The introduction provides background on the Holy Face, which is believed by many to be an "Acheropita" (not made by human hands) image of Jesus. This image, found on the Veil of Manoppello, is a relic in Italy. The Face on the veil is visible on both sides of the veil, and the yarn is highly transparent. It then describes the history of the veil and the conflicting opinions surrounding its creation. Some consider it a work of art, while others propose a more supernatural origin. The authors highlight the ongoing debate regarding the image's formation and nature, and the various microscopic and spectroscopic studies that have been conducted.
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Seeing Inscriptions on the Shroud of Turin: The Role of Psychological Influences in the Perception of Writing (PDF)
This research article, "Seeing Inscriptions on the Shroud of Turin: The Role of Psychological Influences in the Perception of Writing," explores the psychological factors that influence the perception of writing, specifically in the context of the Shroud of Turin. The authors, Timothy R. Jordan and colleagues, investigate how religious context affects the identification of perceived words on an image of woven fabric, mirroring the material of the Shroud.
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The Turin Shroud Was Not Flattened Before the Images Formed and no Major Image Distortions Necessarily Occur from a Real Body (PDF)
This paper, "The Turin Shroud Was Not Flattened Before the Images Formed and no Major Image Distortions Necessarily Occur from a Real Body," by Mario Latendresse, examines the conditions under which the image on the Shroud of Turin may have formed. It addresses the question of whether the Shroud was flattened before the image formed and if major distortions are necessarily expected when the Shroud is draped over a body.
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Evidence that the Shroud Was not
Completely Flat During Image Formation (PDF)
This document examines the debate around the authenticity of the Shroud of Turin, focusing on whether the top half of the Shroud was forcefully flattened before the images formed, and if this would necessarily cause major distortions when the Shroud is displayed flat.
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EVIDENCE FOR THE SKEWING OF THE C-14 DATING OF THE SHROUD OF TURIN DUE TO REPAIRS (PDF)
This paper, "Evidence for the Skewing of the C-14 Dating of the Shroud of Turin Due to Repairs," by Marino and Benford, presents a critical analysis of the 1988 carbon-14 dating of the Shroud of Turin. The authors argue that the dating, which placed the shroud's origin in the medieval period, is flawed due to the presence of a patch of material from the 16th century that was incorporated into the sample.
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Computerized anthropometric analysis of the Man of the Turin Shroud (PDF)
This document presents a study of the Man of the Shroud, focusing on the measurement of his height using various methods and analyzing the challenges in obtaining accurate measurements.
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THE CATHAR CRUCIFIX: NEW EVIDENCE OF THE SHROUD’S MISSING HISTORY (PDF)
This book, "The Cathar Crucifix: New Evidence of the Shroud's Missing History" by Jack Markwardt, explores the historical evolution of the crucifix and its connection to the Shroud of Turin. The author proposes that the changes in how Christ was depicted on the cross reflect an increasing awareness of the sindonic image of the Shroud and trace its path from East to West.
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ANTIOCH AND THE SHROUD (PDF)
This book explores the history of the Shroud of Turin, questioning its early origins and tracing its potential journey from Jerusalem to Edessa, then to Constantinople. It delves into the "Mandylion theory" and the Abgar legend, examining their validity, highlighting doubts from scholars like J.B. Segal, and suggesting an alternative route of its path, with the focus on the ancient city of Antioch, due to its historical significance. It also provides a background on Antioch during the time of Christ, its importance as a Roman city, and the presence of the early Church, as well as the disciples of Jesus.
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Optically Terminated Image Pixels
Observed on Frei 1978 Samples (PDF)
This document, written by Kevin E. Moran, discusses the unique characteristics of the image found on the Shroud of Turin, specifically focusing on observations made from samples taken by Max Frei in 1978. The abstract describes photomicrographs taken in 1992 of the arm area of the shroud, which revealed individual image fibers with sharp boundaries and a darkening of about 30% compared to the non-imaged fibers. The author suggests that a high-energy particle striking the fiber caused the image.
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THE SHROUD OF TURIN: BRIDGE BETWEEN HEAVEN AND EARTH? (PDF)
This article discusses the ongoing debate surrounding the Shroud of Turin, a cloth many believe to be the burial shroud of Jesus, while others consider it a medieval forgery. It explores the history of the Shroud, noting its significance in both religious and scientific circles.
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X-File on the Shroud (PDF)
This text is an interview between Linda Moulton Howe and Dr. Thaddeus Trenn, a Shroud researcher. They discuss the possibility that the image on the Shroud of Turin was formed through a process of dematerialization.
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Editorial - On 'Correct Seeing' the Shroud (PDF)
This editorial discusses the complexities of interpreting the Shroud of Turin, highlighting different perspectives on its nature. It begins by noting that the Shroud's image can be interpreted differently, with some viewing it as a painting and others seeing Greek/Roman inscriptions, flowers, or a photograph-like image of a crucified body. The author recounts a personal anecdote from art school to emphasize the importance of "correct seeing" in accurately representing reality, which is relevant to interpreting the Shroud. The editorial mentions how the ongoing debate in newsletters addresses inscriptions, flowers, and instruments of the Passion.
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Coin inscriptions, Passion Objects and Flowers - Are They Really There?
(PDF)
This article is a second installment of a series by the editor, following up on his previous critique of the claims about seeing various objects on the Shroud of Turin, specifically focusing on "faces in clouds" type of interpretations.
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‘The Turin Shroud – past, present and future’, Turin, 2-5 March, 2000 – probably the best-ever Shroud Symposium (PDF)
This article summarizes a symposium held in Turin from March 2-5, 2000, focusing on the Turin Shroud, a linen cloth believed by some to bear the image of Jesus Christ. The symposium, described as possibly the best ever on the subject, brought together various specialists.
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Towards reconstructing the Shroud Body a History (PDF)
This text is a summary of the life and work of several artists who have attempted to sculpt or reconstruct the image of the Shroud of Turin.
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Could carbon dating be erroneous if the Shroud was kept in a metallic container for a significant period between AD 30-2000? (PDF)
This text discusses the scientific investigation and historical preservation of the Shroud of Turin. Initially, it details the 1988 carbon dating tests that concluded the Shroud originated from 1290-1360 AD, leading most scientists to believe it was a medieval artifact. However, the author highlights the flaws in this conclusion, like evidence suggesting the Shroud's origins may be much earlier, and the fact that there are other historical details that do not fit the carbon dating.
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The Veronica of Rome First Known Photographs! (PDF)
This article discusses the first known photographs of the Veronica of Rome, a relic believed to be the cloth used by a woman to wipe Jesus's face, leaving his image imprinted on it. It details the historical context of the Veronica, its importance in religious pilgrimage, and the long-standing difficulty in obtaining photographic evidence due to Vatican restrictions.
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Is The Shroud of Turin a Medieval Photograph? A Critical Examination of the Theory (PDF)
This paper by Barrie M. Schwortz critically examines the "proto-photography" theory, a hypothesis proposed by Professor Nicholas Allen. The core argument of the proto-photography theory is that a medieval photographer could have used raw materials to create a photographic image on the Shroud of Turin, effectively inventing photography centuries before its documented creation. Allen himself has successfully created a faint photographic image on linen using medieval materials.
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Othon de La Roche and the Shroud An hypothesis between History and Historiography (PDF)
This paper proposes a theory about the missing period of the Holy Shroud's history, specifically from its disappearance in Constantinople in 1204 during the Fourth Crusade to its reappearance in Lirey, France, in the 14th century. The central argument is that the Shroud was taken to Athens by Othon de La Roche, who became Lord of Athens after the crusade.
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Politics of the Shroud C-14 Dating By Joseph Marino (PDF)
This text details the political and scientific controversies surrounding the attempts to radiocarbon date the Shroud of Turin, a linen cloth believed by some to bear the image of Jesus Christ. 
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The Shroud of Turin and the Resurrection Problem- an Anglican/Episcopal perspective (PDF)
This text, "The Shroud of Turin and the Resurrection Problem: An Anglican/Episcopal perspective," by Daniel R. Porter explores the ongoing debate surrounding the Shroud of Turin and its implications for understanding the Resurrection of Jesus, particularly within the Anglican/Episcopal tradition.
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Possible Post-Biblical and Pre-1350s References in History to the Shroud of Jesus – an English-language Bibliography
Joseph G. Marino - Updated September 29, 2021 (PDF)
This is an English-language bibliography by Joseph G. Marino, updated September 29, 2021, that explores the potential historical references to the Shroud of Jesus prior to the 1350s, the time when the Shroud of Turin became known. The author addresses the claim that there are no references to the Shroud before this period, arguing that there are numerous references, although not all may be definitively linked to the Turin Shroud.
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Origins of a 14th Century Turin Shroud Image (PDF)
This paper, authored by Joseph S. Accetta, investigates the origins of the Turin Shroud, a large linen cloth bearing faint sepia-toned images of a crucified man. The author posits the Shroud's origin as the 14th century, aligning with its radiocarbon dating and historical context.
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RADIOCARBON DATING OF THE TURIN SHROUD: NEW EVIDENCE FROM RAW DATA (PDF)
This paper, "Radiocarbon Dating of the Turin Shroud: New Evidence from Raw Data," analyzes the radiocarbon dating of the Turin Shroud (TS), a linen cloth some believe to be the burial cloth of Jesus. 

In 1988, three laboratories conducted radiocarbon analysis, with results published in Nature in 1989, suggesting a medieval origin (AD 1260-1390 with 95% confidence). However, the original raw data was not released. In 2017, after a legal request, the raw data from the British Museum became accessible. 

This paper re-evaluates the 1988 dating by conducting a robust statistical analysis of the raw data. The authors aim to compare these results with those from the initial study, using statistical tests to determine if the measurements from different labs can be combined to provide a consistent calendar range. Based on their analysis, the authors question the 95% confidence level originally attributed to the medieval dating, implying that the initial analysis may need reconsideration. The paper highlights that the initial conclusion of the cloth's medieval origin is being questioned by other studies, which also point to a disproof of this claim.
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WHAT DOES THE SHROUD OF TURIN MEAN? (PDF)
This text explores the meaning and significance of the Shroud of Turin, the purported burial cloth of Jesus Christ. The author, Robert Perry, states that his primary focus is not on proving the shroud's authenticity, but on interpreting its meaning.
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Studies on the radiocarbon sample from the Shroud of Turin- Raymond N. Rogers (PDF)
This paper, authored by Raymond N. Rogers, discusses the radiocarbon dating of the Shroud of Turin and the author's subsequent analysis that calls into question the validity of that dating.
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SCIENTIFIC METHOD APPLIED TO THE SHROUD OF TURIN -A REVIEW (PDF)
This document is a review of the application of scientific methodology to the study of the Shroud of Turin. It summarizes the author's belief that three key statements can be supported by scientific observation: 1) The radiocarbon dating from 1988 was flawed and produced an inaccurate date for the cloth. 2) Hypotheses invoking radiation to explain the image and its date should be discarded. 3) The image's characteristics can be explained by known chemical reactions, negating the need for miracles.
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FREQUENTLY ASKED QUESTIONS (FAQs) By Raymond N. Rogers (PDF)
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THE SUDARIUM OF OVIEDO: A STUDY OF FIBER STRUCTURES (PDF)
This document is a scientific study, "The Sudarium of Oviedo: A Study of Fiber Structures," conducted by Raymond N. Rogers. It investigates the fiber composition of the Sudarium of Oviedo, a cloth believed to be associated with the crucifixion of Jesus, using petrographic (polarizing) microscopy. The research compares the fibers of the Sudarium to those of the Shroud of Turin and examines their age and origins.
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Role of Radiation in Image Formation on the Shroud of Turin (PDF)
This document is a scientific analysis of the Shroud of Turin, a burial cloth believed by some to have been used to wrap Jesus Christ. The author, Robert Rucker, proposes a novel hypothesis about how the image on the shroud was formed.
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GREEK EPITAPHIOI AND OTHER EVIDENCE FOR THE SHROUD IN CONSTANTINOPLE UP TO 1204 (PDF)
This article, by Daniel Scavone, explores evidence supporting the presence of the Turin Shroud (TS) in Constantinople, specifically up to the year 1204. The author begins by acknowledging the difficulty in tracing the TS's history and highlights the crucial link between the Shroud and the Mandylion documented in Edessa. Two key documents are considered: the Gregory Sermon, suggesting a full-length image on the Mandylion, and the Pray Codex (1192-5), which depicts elements associated with the TS, such as folded hands without thumbs and a four-burn-hole pattern.
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Photogrammetric Responses From The Shroud of Turin (PDF)
This document, written by Peter M. Schumacher in 1999, discusses the unique photographic properties of the Shroud of Turin. The abstract highlights that simple photographic studies of the Shroud produce results unlike those of any other known artifact. Specifically, the Shroud image appears clearer in the photographic negative than in the positive, and when processed through a VP-8 Image Analyzer, it produces a three-dimensional response. The key point is that these unique results are inherent to the Shroud's image and are not due to alteration or special photographic techniques.
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The Shroud's Second Image (PDF)
This article from Christianity Today discusses new evidence that reopens the debate about the Shroud of Turin, a relic believed by some to be the burial cloth of Jesus. The shroud was widely dismissed as a medieval forgery after radiocarbon tests in 1988 dated it to the 13th or 14th century. 

However, recent findings challenge this assessment. Researchers from the University of Padua discovered a faint, reverse image on the back of the cloth that mirrors the face and hands of the image on the front, and it's like the front image, is only on the outermost fibers. This discovery, published in a peer-reviewed journal, is seen by some as a step in the right direction. The article also references the views of various experts.
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Shroud like coloration of linen, conservation measures and perception of patterns onto the Shroud of Turin (PDF)
This paper presents the research conducted by Paolo Di Lazzaro and Daniele Murra at the ENEA Research Centre of Frascati on the Shroud of Turin (TS). They aim to replicate the image's unique characteristics and provide conservation measures.
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Answering the Savoy/Leonardo DaVinci Hypothesis (PDF)
This document, written by Richard B. Sorensen, addresses the "Savoy/Leonardo Da Vinci Hypothesis" concerning the Shroud of Turin. This hypothesis suggests that the image on the Shroud is a fake created by Leonardo Da Vinci or another medieval artist. Sorensen argues that this hypothesis and its alternatives are not reasonable explanations for the Shroud's images and should be dismissed.
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The Shroud of Turin Fact Sheet ( PDF)
This document is a fact sheet about the Shroud of Turin, drawing a connection between it and a cloth known as the Edessa Cloth.
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THE HOLY SHROUD OF TURIN: BIBLICAL EVIDENCES FOR THE NON-UNWRAPPING HYPOTHESIS (PDF)
This article explores the "non-unwrapping" hypothesis regarding the Shroud of Turin. The abstract presents the core argument: that the image on the shroud was created by radiation from the body of Jesus Christ at the time of his resurrection, causing the body to disappear from within the cloth without disturbing its folds. This theory is supported by the lack of visible signs of manipulation on the shroud, a point often contested by critics. 

The article's author, Félix Ferrà, delves into this hypothesis, particularly its connection to biblical accounts. It explains that proponents of the shroud's authenticity suggest the image's clarity (lack of blurring) is due to the miraculous nature of the resurrection. This hypothesis is linked to how the empty tomb is described in the Gospels. 

The provided text supports this non-unwrapping idea by referencing two Gospel passages. Luke 24:11-12 describes Peter's reaction after finding the tomb empty and only the linen cloths. John 20:1-8 describes Mary Magdalene's discovery of the empty tomb and Peter and the other disciple's subsequent investigation, noting the linen cloths were lying there and the separate cloth that had covered Jesus's head was in a different place, neatly wrapped. These descriptions are interpreted as evidence that Jesus's body vanished without disturbing the shroud's structure, supporting the non-unwrapping hypothesis.
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Summary of Scientific Research on the Shroud of Turin (PDF)
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The Crucified Christ Seen by the Galatians (PDF)
This paper by Larry Stalley explores the possibility that Galatians 3:1, a verse in the New Testament, refers to the Shroud of Turin. The author argues that the verse, which has often been interpreted metaphorically, could instead be a literal reference to the image of the crucified Jesus on the burial cloth.
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THE “RESTORATION” OF THE TURIN SHROUD: A CONSERVATION AND SCIENTIFIC DISASTER (PDF)
This text discusses the "restoration" of the Shroud of Turin in 2002 and its implications. The book opens by describing the 2002 intervention as a "radical intervention" aimed at removing carbon dust and charred material. The removal of patches from 1534, vacuuming, and other measures were taken to improve its appearance. However, it's noted that this aggressive operation contrasts with modern conservation practices and resulted in the loss of potentially important scientific data, as well as opportunities for advanced testing. The author suggests that the long-term impact of this intervention is feared to be substantial.
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The seam and missing corners of the Turin Shroud as characteristics of John Mark’s temple garment (PDF)
This article by A.A.M. van der Hoeven identifies the garment left by the young man who fled naked (Mark 14:51-52) with the burial shroud of Jesus (John 19-20), suggesting the young man was the secret disciple John Mark, co-author of the Gospel of John. The author proposes Joseph of Arimathea acquired this garment to give Jesus a burial as per Jewish custom.
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The Shroud of Turin in Light of First-Century CE Jewish Burial Practices According to Non-Jewish Sources – a Bibliography
Updated August 5, 2021 (PDF)
This article, "The Shroud of Turin in Light of First-Century CE Jewish Burial Practices According to Non-Jewish Sources – a Bibliography," by Joseph G. Marino, serves as a follow-up to a previous article discussing the compatibility of the Turin Shroud with First Century Jerusalem burials from a Jewish perspective. The author, inspired by feedback on his previous article, decided to create a series of bibliographic entries. This article focuses specifically on non-Jewish sources that provide context for evaluating the Shroud's authenticity in light of Jewish burial customs during the time of Jesus. The entries included cover a range of sources, including peer-reviewed journals and books, some directly addressing the Shroud and others which do not. 

The article introduces relevant locations and objects to compare with burial practices: "Garden Tomb" as a potential site of Jesus's burial and resurrection (controversial, with dates disputed), "Cave of Letters," a location where fragments of papyri were found, Jason's Tomb, and "Abba Cave," a tomb with an ossuary. 

The author also explains that he originally intended to divide the non-Jewish entries into two articles based on publication dates but combined them due to a low number of entries for the earlier period. He has chosen to designate "The Shroud of Turin" in the title to distinguish this work from the companion article concerning the Jewish sources.
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The Shroud of Turin Served as a Tabernacle During the High-Priestly Ministry of Jesus! (PDF)
This book, "The Shroud of Turin Served as a Tabernacle During the High-Priestly Ministry of Jesus!" by Larry Stalley, explores the significance of the Shroud of Turin in early Christian belief.
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The Sudarium of Oviedo in Relation to the Shroud of Turin (PDF)
English-language bibliography focused on the Sudarium of Oviedo and its relationship to the Shroud of Turin.
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LOOKING AT THE TURIN SHROUD AS A TEXTILE (PDF)
This article from Textile Horizons, December 1981, examines the Turin Shroud as a textile artifact and delves into the controversies surrounding its origins and authenticity.
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Understanding the 1988 Carbon Dating of the Shroud (PDF)
This paper critiques the 1988 carbon dating of the Shroud of Turin, which dated it to 1260-1390 AD, arguing that this conclusion should be rejected. The abstract highlights several problems with the dating: 

Statistical Discrepancies: → Two of the three laboratories involved in the dating produced statistically different results.
Dating Variation: → The carbon dates varied based on the location of the samples on the cloth.
Low Probability: → The probability of the date variation observed was only 1.4%, which is below the generally accepted standard of 5.0%.
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Excerpt from
Radiological Aspects of the Shroud of Turin (PDF)
This excerpt from a paper discusses the radiological aspects of studying the Shroud of Turin. The authors are focusing on two main areas of investigation: the 1978 radiographs and the side strip of the Shroud.
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What is the Catholic Church’s Official Position on the
Shroud of Turin? Pronouncements from The Vatican and Turin
Joseph G. Marino UPDATED September 8, 2021 (PDF)
This document is an article discussing the Catholic Church's official stance on the Shroud of Turin, a linen cloth believed by some to bear the image of Jesus Christ. The author, Joseph G. Marino, provides an introduction and then lists various pronouncements related to the shroud, specifically from the Vatican (Popes) and the archbishops of Turin.
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